They are trained to always focus on increasing independence and reducing the need for any service-level interventions. It explores relationships for these kinds of people in the broadest sense, including friendship, family and love. Within the opening scene, the play touches on an area of great stigma and taboo: Reality check The play makes a convincing job of exploring the feelings of powerlessness that accompany pregnancy for people with learning disabilities. They are often disempowered and disproportionately disadvantaged and the unborn baby is seen as a risk rather than a chance. If they do get pregnant, it is obviously right that the safety and well-being of the child is the top priority. To improve the status quo, we need to give people with learning disabilities access to the same sex and relationship education as everyone else.
When women like Mia get pregnant, what follows is a long way from a baby shower. Unfortunately assessment is therefore necessary. Daughters of Fortune is a production by the Mind the Gap theatre company from Bradford in England, the biggest theatre company for actors with learning disabilities in the UK. The sister and her partner both have autism spectrum disorder. In about half of all cases , the child is taken away. If they do get pregnant, it is obviously right that the safety and well-being of the child is the top priority. Reality check The play makes a convincing job of exploring the feelings of powerlessness that accompany pregnancy for people with learning disabilities. The actors ask the audience to call out the things that are normally said when we hear this kind of news. The priority is an assessment by the authorities to determine whether the child will be at risk after they are born. In one revealing scene, Mia asks the social worker carrying out the assessment whether she herself had to undergo any tests before she could have a baby. But the authorities need to move away from the starting assumption that the child will be at risk. What to change But Mia: This would be the best way to encourage them to have children within a stable, happy family environment. It is startling to hear something articulated that so often goes unsaid. It explores relationships for these kinds of people in the broadest sense, including friendship, family and love. Within the opening scene, the play touches on an area of great stigma and taboo: They are trained to always focus on increasing independence and reducing the need for any service-level interventions. Daughters of Fortune, which will tour the UK once it closes in Edinburgh, is a timely reminder that, when it comes to people with learning disabilities getting pregnant, we need to think again. They need to adopt an approach that concentrates on the strengths of the couple and supports them to stay together as a family, with a view to avoiding the trauma of removing a child. Despite this reality, particularly for those in special education services, they are often excluded from sex and relationship educational programmes. The cast make an excellent job of educating the audience about an uncomfortable subject, prompting questions about how we approach sex and relationships with people with learning disabilities both through professional bodies and society as a whole. They are often disempowered and disproportionately disadvantaged and the unborn baby is seen as a risk rather than a chance. The onus in such cases is effectively on the parents to prove that the child will not be at risk, and that they are prepared for childbirth and the responsibilities of raising a child. Daughters of Fortune is nevertheless an intelligent, touching and incredibly witty and warm piece of theatre. The range of professionals who get involved all have the best of intentions, but the audience is continually reminded that their presence is only felt and known because of who Mia is. Raising a taboo subject. Daughters of Fortune is a play at the Edinburgh Festival Fringe about a young woman who falls pregnant.
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